subtitles

nián jīng guò wáng shì xiāng xiān shēng de jiè shào
1995经过王世襄先生介绍
In 1995, I was introduced by Mr. Wang Shixiang
bài zài sūn xiān shēng de mén xià
先生门下
And became a student of Mr. Sun Ji
cóng shì míng wù xué yán jiū
从事名物研究
To study the name and description of objects
dāng shí sūn xiān shēng gěi chū tí shuō zhè shì shěn cóng wén xiān shēng
当时孙先生出题沈从文先生
Mr. Sun set a question for me, saying it was raised by Mr. Shen Congwen in the 60s
liù shí nián dài tí chū lái de yīng gāi zuò shī jīng míng wù yán jiū
六十年代提出应该诗经名物研究
That we should study the name and description of objects in Shijing (the Classic of Poetry)
chǔ cí míng wù yán jiū hóng lóu mèng míng wù yán jiū
楚辞名物研究红楼梦名物研究
In Chu Ci (Songs of Chu) and in Hongloumeng (Dream of the Red Chamber)
dàn shì tí chū lái zhè gè wèn tí yǐ hòu
但是提出这个问题以后
But since he raised it
yī zhí méi yǒu rén xiǎng yīng
一直没有响应
Nobody ever responded to it
shì dì yī gè shí jiàn zhě
第一个实践者
I’m the first one to do it
kāi shǐ cóng sūn xiān shēng nà ér dé dào de bā zì zhēn yán
开始孙先生那儿得到八字真言
I started with the motto from Mr. Sun
fā xiàn wèn tí jiě jué wèn tí
发现问题解决问题
‘To find problems and to solve problems’
kuò chōng wèi míng yán jiū de fāng fǎ
扩充为名研究方法
I expand it into the method of studying the name and description of objects
wù sè zhè běn shū lǐ tóu xiě le shǒu shì
物色本书里头首饰
The book Wu Se depicts jewellery
xiě le jiǔ qì xiě le ér
酒器
Wine containers, lacquer boxes
hái yǒu yī zhāng luó diàn chuáng
还有一张螺钿
And a bed inlaid with shells
zuì hòu yòu yǒu yī piān zuò wèi fù lù shì xī mén qìng de shū fáng
最后一篇作为附录西门庆书房
And at the end there’s an appendix about the study of Ximen Qing
wù sè chū zì wén xīn diāo lóng
物色出自文心雕龙
The word ‘Wu Se’ originates from Wenxindiaolong (or the Literary Mind and the Carving of Dragons)
yǒu hǎo jǐ zhòng de hán yì
好几含义
It has several layers of meaning
xún xún mì mì zhè shì de yī gè yì sī
寻寻觅觅一个意思
One is looking for something
hái yǒu de chéng sè zhè shì yī gè hán yì
还有成色一个含义
And the appearance of objects is one meaning as well
wèi shén me huì duì jīn píng méi gǎn xīng qù
为什么金瓶梅感兴趣
Why am I interested in Jinpingmei
dāng shí shì shòu le huáng rén yǔ wàn lì shí wǔ nián de qǐ fā
当时黄仁宇万历十五年启发
I was inspired by 1587, a Year of No Significance by Huang Renyu
jiù shì xiǎng xiě chóng zhēn shí liù nián
就是崇祯十六年
I wanted to write about 1643
nà me jiù cóng zhè gè shēng huó shǐ shàng kāi shǐ xiě
那么这个生活史开始
So I began with the history of manners
shēng huó shǐ shàng zuì hǎo de zuì yǒu biǎo xiàn lì de jiù shì jīn píng méi
生活史最好表现力就是金瓶梅
Then the best and the most expressive novel of manners is Jinpingmei
jīn píng méi de zuò zhě yǒu xiě fēng sú shǐ de zhè gè yì shí
金瓶梅作者风俗这个意识
The author was conscious of writing the history of manners
zài hěn duō qì wù miáo shù shàng xiě shí xìng hěn qiáng
很多器物描述写实性
And depicted objects realistically
bǐ rú nà gè luó diàn chuáng
比如那个螺钿
Like the bed inlaid with shells
shuō nà gè liǎng biān dōu shì gé shàn rán hòu ān zài chuáng lǐ biān
那个两边隔扇然后里边
The book says it has partitions on both bedsides
lóu tái diàn gé huā niǎo líng máo
楼台殿阁花鸟翎毛
Towers, balconies, temples, pavilions, flowers, birds and feather
běn shēn duì yú de miáo xiě de yǔ yán tè bié xǐ huān
本身对于描写语言特别喜欢
I like the description of objects in the book very much
jiù shì yī gè yī gè dōng xī gěi zhè me shuō shàng lái
就是一个一个东西这么上来
It just names things one by one
shén me me lián jiē cí méi yǒu
什么连接词没有
Without any conjunction
duì yī jiàn qì wù de miáo shù
一件器物描述
The description of one object
shí jì shàng shì suǒ zuò de míng wù xué hěn hé xīn de bù fēn
实际上名物核心部分
Is actually a core part of my study
zuì nán zuì nán shì dìng míng
定名
And the most difficult is naming
zuì zǎo shén me shí hòu yǒu de zhè gè míng zì
最早什么时候这个名字
When did the object gain the name for the first time?
zài bù tóng de shí dài shì bù shì zhǐ tóng yī jiàn dōng xī
不同时代是不是一件东西
Does it refer to the same thing in different dynasties?
rán hòu de měi yī gè wén yàng
然后一个纹样
And every pattern on it
shì zhí wù de shì dòng wù de hái shì shén me
植物动物还是什么
Is that a plant? Or an animal?
chuān xīn zuì zǎo zài
穿最早
Chuanxin Box was first mentioned
gǔ shī wén míng wù xīn zhèng de shí hòu jiù tí dào
古诗文名物时候提到
In A New Perspective On the Name of Objects in Ancient Poems and Proses
xiàn zài néng kàn dào de zuì zǎo de shì táng dài de
现在看到最早唐代
Now the earliest we can see is from the Tang Dynasty
rì běn wén huá guǎn cáng de yī jiàn
日本文华馆藏一件
It’s collected in the Museum of Yamato Bunkakan, Japan
hái méi yǒu gěi dìng chū míng chēng lái
没有定出名称
And it has no name
sūn xiān shēng jiù shuō
先生
Mr. Sun (Ji) said
zhè gè yīng gāi shì jīn píng méi lǐ tóu de chuān xīn
这个应该金瓶梅里头穿
It should be the Chuanxin Box mentioned in Jinpingmei
hòu lái bù duàn fā xiàn hěn duō xīn de xiàn suǒ
后来不断发现很多线索
Later a lot of new clues were revealed constantly
jī běn shàng néng gòu cóng táng
基本上能够
And basically I can link them all
yī zhí dào qīng gěi chuàn qǐ lái le
一直起来
From the Tang Dynasty to the Qing Dynasty
hái yǒu jú huā zài hěn duō dì fāng jiù shuō chéng shì xiàng rì kuí
还有菊花很多地方向日葵
And chrysanthemum are often taken as sunflowers
ér xiàng rì kuí shì shí liù shì jì cái chuán dào zhōng guó
向日葵十六世纪传到中国
But sunflower was spread to China in the 16th century
yī zhí dào qīng dài kě néng wǎn qī cái jìn rù dào zhuāng shì lǐng yù
一直清代可能晚期进入装饰领域
And might entered into the field of decoration until the late Qing Dynasty
kàn zhù xiàng xiàng rì kuí de shí jì shàng dà bù fēn shì jú huā
向日葵实际上大部分菊花
What look like sunflower is actually chrysanthemum on most occasions
qīng rén zuò nà gè kǎo jù xué fēi cháng chū sè
清人那个考据学非常出色
People in the Qing Dynasty were excellent (in textual criticism)
qián jiā xué pài jiù yuǎn yuǎn gǎn bù shàng rén jiā
乾嘉学派远远赶不上人家
The Qianjia School, and I’m far behind them
dàn shì de yōu yuè tiáo jiàn shì méi kàn dào de dōng xī néng kàn dào
但是优越条件看到东西看到
But my advantage is that I can see things they couldn’t see
zhè gè jiù shì néng chāo yuè qián rén de tiáo jiàn
这个就是超越前人条件
This is where I surpass them
gěi zì gè ér tí chū de mù biāo shì
自个儿提出目标
The goal I propose for myself
miáo shù de měi yī jiàn qì wù dōu shì yào kàn dào shí wù
描述每一件器物看到实物
Is that I need to see each object that I descript
néng gòu ràng shàng shǒu
能够
That I can really touch it
kàn dào de bèi miàn cè miàn
看到背面侧面
And I can see its back and sides
cóng bù tóng de jiǎo dù kàn dào de zhè gè jié gòu
不同角度看到这个结构
And see its structure from different angles
yǒu shí hòu duì zhù yī jiàn dōng xī
有时候一件东西
Sometimes I can face toward one thing
shén zhì zhè yī tiān dōu zài kàn lái lái huí huí
甚至一天来来回回
And even watch it all day long, repeatedly
zài kàn wán zhǎn lǎn yǐ hòu pāi le zhào piàn zài diàn nǎo fàng dà
展览以后照片电脑放大
I go to exhibitions and take photos and enlarge them on computer
lǎo bàn ér shuō duì zhù zhè shén me dāi ne
老伴儿什么
My husband asked ‘why are you sitting here staring blankly?’
jiù shì yī zhí zài kàn zhè jiàn qì wù dào dǐ shì shén me me wén yàng
就是一直这件器物到底什么纹样
I was just trying to figure out what on earth does the pattern of the object have
xiàn zài zhèng zài xiě zuò de zhōng guó gǔ dài jīn yín qì shǐ
现在正在写作中国古代金银器
I’m now writing the history of golden and silver ware in ancient China
shì lì zhēng yào yǐ shàng dōu zuò dào shí wù guò shǒu
力争95%以上做到实物过手
I strive to really handle 95% of the objects
shén zhì jiù shì wèi le kàn xiě yī gè
甚至就是为了一个
Just to have a look at the Buddhist relics container I was writing about
sòng dài de shě lì róng qì zài yǎn zhōu bó wù guǎn
宋代舍利容器兖州博物馆
In the Yanzhou Museum
gēn lǎo bàn ér hái yǒu lǎo bàn ér dài zhù de péng yǒu
老伴儿还有老伴儿朋友
I, my husband and his friend
qū chē wǎng fǎn liǎng qiān lǐ dào yǎn zhōu
驱车往返两千里兖州
We drove two thousands kilometers there and came back
kàn zhè jiàn dōng xī shí jì shàng zhǐ kàn le fēn zhōng
这件东西实际上40分钟
I actually only saw the container for 40 minutes
wèi cǐ shì bù xī yī qiè dài jià
为此不惜一切代价
I do it at all costs
zhè xiē nián lái kě yǐ shuō guò shǒu de gǔ dài jīn qì shì shù qiān jiàn ba
这些年来可以过手古代金器数千件
I have handled several thousand pieces( of ancient golden ware) in the past years
zhì shǎo
至少
At least
duō nián dōu shì zhè yàng jiǔ diǎn bàn shuì jué
多年这样九点半睡觉
I’ve been like this for many years, going to bed at half past nine
sì diǎn zhōng qǐ chuáng wǔ xiū
四点起床午休
And getting up at four, without noon break
kàn shū xiě dōng xī kàn zhǎn lǎn
看书东西展览
I read, write and go to exhibitions
hěn dān chún
单纯
Really simple
xiǎng zuò de shì hěn duō zhè zhǐ néng shì sì gè
很多只能四个
There’re so many things that I want to do
rì duǎn xīn zhǎng
日短心长
Days are short but I have a long list of wishes
yīn wèi yī gè rén de shēng mìng jiù zhè me zhǎng
因为一个生命这么
Because a man’s life short
ér qiě yǒu chuàng zào lì de shēng mìng kě néng huì gèng duǎn
而且有创造力生命可能
And a creative life might be even shorter
zhǐ yào jìn qù zhǎo wèn tí
只要进去问题
As long as you get in there and find problems
chén jìn zài lǐ biān ér
沉浸里边儿
And you immerse yourself in it
zhè jiù shì rén shēng zuì dà de kuài lè
就是人生最大快乐
It’s the greatest happiness in life
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Yang Zhishui, the Founder of the Study of Naming and Describing Objects

  • posted on 2020-11-10
  • vocabulary (80)
  • 一条Yit

nián jīng guò wáng shì xiāng xiān shēng de jiè shào

1995经过王世襄先生介绍

In 1995, I was introduced by Mr. Wang Shixiang

bài zài sūn xiān shēng de mén xià

先生门下

And became a student of Mr. Sun Ji

cóng shì míng wù xué yán jiū

从事名物研究

To study the name and description of objects

dāng shí sūn xiān shēng gěi chū tí shuō zhè shì shěn cóng wén xiān shēng

当时孙先生出题沈从文先生

Mr. Sun set a question for me, saying it was raised by Mr. Shen Congwen in the 60s

liù shí nián dài tí chū lái de yīng gāi zuò shī jīng míng wù yán jiū

六十年代提出应该诗经名物研究

That we should study the name and description of objects in Shijing (the Classic of Poetry)

chǔ cí míng wù yán jiū hóng lóu mèng míng wù yán jiū

楚辞名物研究红楼梦名物研究

In Chu Ci (Songs of Chu) and in Hongloumeng (Dream of the Red Chamber)

dàn shì tí chū lái zhè gè wèn tí yǐ hòu

但是提出这个问题以后

But since he raised it

yī zhí méi yǒu rén xiǎng yīng

一直没有响应

Nobody ever responded to it

shì dì yī gè shí jiàn zhě

第一个实践者

I’m the first one to do it

kāi shǐ cóng sūn xiān shēng nà ér dé dào de bā zì zhēn yán

开始孙先生那儿得到八字真言

I started with the motto from Mr. Sun

fā xiàn wèn tí jiě jué wèn tí

发现问题解决问题

‘To find problems and to solve problems’

kuò chōng wèi míng yán jiū de fāng fǎ

扩充为名研究方法

I expand it into the method of studying the name and description of objects

wù sè zhè běn shū lǐ tóu xiě le shǒu shì

物色本书里头首饰

The book Wu Se depicts jewellery

xiě le jiǔ qì xiě le ér

酒器

Wine containers, lacquer boxes

hái yǒu yī zhāng luó diàn chuáng

还有一张螺钿

And a bed inlaid with shells

zuì hòu yòu yǒu yī piān zuò wèi fù lù shì xī mén qìng de shū fáng

最后一篇作为附录西门庆书房

And at the end there’s an appendix about the study of Ximen Qing

wù sè chū zì wén xīn diāo lóng

物色出自文心雕龙

The word ‘Wu Se’ originates from Wenxindiaolong (or the Literary Mind and the Carving of Dragons)

yǒu hǎo jǐ zhòng de hán yì

好几含义

It has several layers of meaning

xún xún mì mì zhè shì de yī gè yì sī

寻寻觅觅一个意思

One is looking for something

hái yǒu de chéng sè zhè shì yī gè hán yì

还有成色一个含义

And the appearance of objects is one meaning as well

wèi shén me huì duì jīn píng méi gǎn xīng qù

为什么金瓶梅感兴趣

Why am I interested in Jinpingmei

dāng shí shì shòu le huáng rén yǔ wàn lì shí wǔ nián de qǐ fā

当时黄仁宇万历十五年启发

I was inspired by 1587, a Year of No Significance by Huang Renyu

jiù shì xiǎng xiě chóng zhēn shí liù nián

就是崇祯十六年

I wanted to write about 1643

nà me jiù cóng zhè gè shēng huó shǐ shàng kāi shǐ xiě

那么这个生活史开始

So I began with the history of manners

shēng huó shǐ shàng zuì hǎo de zuì yǒu biǎo xiàn lì de jiù shì jīn píng méi

生活史最好表现力就是金瓶梅

Then the best and the most expressive novel of manners is Jinpingmei

jīn píng méi de zuò zhě yǒu xiě fēng sú shǐ de zhè gè yì shí

金瓶梅作者风俗这个意识

The author was conscious of writing the history of manners

zài hěn duō qì wù miáo shù shàng xiě shí xìng hěn qiáng

很多器物描述写实性

And depicted objects realistically

bǐ rú nà gè luó diàn chuáng

比如那个螺钿

Like the bed inlaid with shells

shuō nà gè liǎng biān dōu shì gé shàn rán hòu ān zài chuáng lǐ biān

那个两边隔扇然后里边

The book says it has partitions on both bedsides

lóu tái diàn gé huā niǎo líng máo

楼台殿阁花鸟翎毛

Towers, balconies, temples, pavilions, flowers, birds and feather

běn shēn duì yú de miáo xiě de yǔ yán tè bié xǐ huān

本身对于描写语言特别喜欢

I like the description of objects in the book very much

jiù shì yī gè yī gè dōng xī gěi zhè me shuō shàng lái

就是一个一个东西这么上来

It just names things one by one

shén me me lián jiē cí méi yǒu

什么连接词没有

Without any conjunction

duì yī jiàn qì wù de miáo shù

一件器物描述

The description of one object

shí jì shàng shì suǒ zuò de míng wù xué hěn hé xīn de bù fēn

实际上名物核心部分

Is actually a core part of my study

zuì nán zuì nán shì dìng míng

定名

And the most difficult is naming

zuì zǎo shén me shí hòu yǒu de zhè gè míng zì

最早什么时候这个名字

When did the object gain the name for the first time?

zài bù tóng de shí dài shì bù shì zhǐ tóng yī jiàn dōng xī

不同时代是不是一件东西

Does it refer to the same thing in different dynasties?

rán hòu de měi yī gè wén yàng

然后一个纹样

And every pattern on it

shì zhí wù de shì dòng wù de hái shì shén me

植物动物还是什么

Is that a plant? Or an animal?

chuān xīn zuì zǎo zài

穿最早

Chuanxin Box was first mentioned

gǔ shī wén míng wù xīn zhèng de shí hòu jiù tí dào

古诗文名物时候提到

In A New Perspective On the Name of Objects in Ancient Poems and Proses

xiàn zài néng kàn dào de zuì zǎo de shì táng dài de

现在看到最早唐代

Now the earliest we can see is from the Tang Dynasty

rì běn wén huá guǎn cáng de yī jiàn

日本文华馆藏一件

It’s collected in the Museum of Yamato Bunkakan, Japan

hái méi yǒu gěi dìng chū míng chēng lái

没有定出名称

And it has no name

sūn xiān shēng jiù shuō

先生

Mr. Sun (Ji) said

zhè gè yīng gāi shì jīn píng méi lǐ tóu de chuān xīn

这个应该金瓶梅里头穿

It should be the Chuanxin Box mentioned in Jinpingmei

hòu lái bù duàn fā xiàn hěn duō xīn de xiàn suǒ

后来不断发现很多线索

Later a lot of new clues were revealed constantly

jī běn shàng néng gòu cóng táng

基本上能够

And basically I can link them all

yī zhí dào qīng gěi chuàn qǐ lái le

一直起来

From the Tang Dynasty to the Qing Dynasty

hái yǒu jú huā zài hěn duō dì fāng jiù shuō chéng shì xiàng rì kuí

还有菊花很多地方向日葵

And chrysanthemum are often taken as sunflowers

ér xiàng rì kuí shì shí liù shì jì cái chuán dào zhōng guó

向日葵十六世纪传到中国

But sunflower was spread to China in the 16th century

yī zhí dào qīng dài kě néng wǎn qī cái jìn rù dào zhuāng shì lǐng yù

一直清代可能晚期进入装饰领域

And might entered into the field of decoration until the late Qing Dynasty

kàn zhù xiàng xiàng rì kuí de shí jì shàng dà bù fēn shì jú huā

向日葵实际上大部分菊花

What look like sunflower is actually chrysanthemum on most occasions

qīng rén zuò nà gè kǎo jù xué fēi cháng chū sè

清人那个考据学非常出色

People in the Qing Dynasty were excellent (in textual criticism)

qián jiā xué pài jiù yuǎn yuǎn gǎn bù shàng rén jiā

乾嘉学派远远赶不上人家

The Qianjia School, and I’m far behind them

dàn shì de yōu yuè tiáo jiàn shì méi kàn dào de dōng xī néng kàn dào

但是优越条件看到东西看到

But my advantage is that I can see things they couldn’t see

zhè gè jiù shì néng chāo yuè qián rén de tiáo jiàn

这个就是超越前人条件

This is where I surpass them

gěi zì gè ér tí chū de mù biāo shì

自个儿提出目标

The goal I propose for myself

miáo shù de měi yī jiàn qì wù dōu shì yào kàn dào shí wù

描述每一件器物看到实物

Is that I need to see each object that I descript

néng gòu ràng shàng shǒu

能够

That I can really touch it

kàn dào de bèi miàn cè miàn

看到背面侧面

And I can see its back and sides

cóng bù tóng de jiǎo dù kàn dào de zhè gè jié gòu

不同角度看到这个结构

And see its structure from different angles

yǒu shí hòu duì zhù yī jiàn dōng xī

有时候一件东西

Sometimes I can face toward one thing

shén zhì zhè yī tiān dōu zài kàn lái lái huí huí

甚至一天来来回回

And even watch it all day long, repeatedly

zài kàn wán zhǎn lǎn yǐ hòu pāi le zhào piàn zài diàn nǎo fàng dà

展览以后照片电脑放大

I go to exhibitions and take photos and enlarge them on computer

lǎo bàn ér shuō duì zhù zhè shén me dāi ne

老伴儿什么

My husband asked ‘why are you sitting here staring blankly?’

jiù shì yī zhí zài kàn zhè jiàn qì wù dào dǐ shì shén me me wén yàng

就是一直这件器物到底什么纹样

I was just trying to figure out what on earth does the pattern of the object have

xiàn zài zhèng zài xiě zuò de zhōng guó gǔ dài jīn yín qì shǐ

现在正在写作中国古代金银器

I’m now writing the history of golden and silver ware in ancient China

shì lì zhēng yào yǐ shàng dōu zuò dào shí wù guò shǒu

力争95%以上做到实物过手

I strive to really handle 95% of the objects

shén zhì jiù shì wèi le kàn xiě yī gè

甚至就是为了一个

Just to have a look at the Buddhist relics container I was writing about

sòng dài de shě lì róng qì zài yǎn zhōu bó wù guǎn

宋代舍利容器兖州博物馆

In the Yanzhou Museum

gēn lǎo bàn ér hái yǒu lǎo bàn ér dài zhù de péng yǒu

老伴儿还有老伴儿朋友

I, my husband and his friend

qū chē wǎng fǎn liǎng qiān lǐ dào yǎn zhōu

驱车往返两千里兖州

We drove two thousands kilometers there and came back

kàn zhè jiàn dōng xī shí jì shàng zhǐ kàn le fēn zhōng

这件东西实际上40分钟

I actually only saw the container for 40 minutes

wèi cǐ shì bù xī yī qiè dài jià

为此不惜一切代价

I do it at all costs

zhè xiē nián lái kě yǐ shuō guò shǒu de gǔ dài jīn qì shì shù qiān jiàn ba

这些年来可以过手古代金器数千件

I have handled several thousand pieces( of ancient golden ware) in the past years

zhì shǎo

至少

At least

duō nián dōu shì zhè yàng jiǔ diǎn bàn shuì jué

多年这样九点半睡觉

I’ve been like this for many years, going to bed at half past nine

sì diǎn zhōng qǐ chuáng wǔ xiū

四点起床午休

And getting up at four, without noon break

kàn shū xiě dōng xī kàn zhǎn lǎn

看书东西展览

I read, write and go to exhibitions

hěn dān chún

单纯

Really simple

xiǎng zuò de shì hěn duō zhè zhǐ néng shì sì gè

很多只能四个

There’re so many things that I want to do

rì duǎn xīn zhǎng

日短心长

Days are short but I have a long list of wishes

yīn wèi yī gè rén de shēng mìng jiù zhè me zhǎng

因为一个生命这么

Because a man’s life short

ér qiě yǒu chuàng zào lì de shēng mìng kě néng huì gèng duǎn

而且有创造力生命可能

And a creative life might be even shorter

zhǐ yào jìn qù zhǎo wèn tí

只要进去问题

As long as you get in there and find problems

chén jìn zài lǐ biān ér

沉浸里边儿

And you immerse yourself in it

zhè jiù shì rén shēng zuì dà de kuài lè

就是人生最大快乐

It’s the greatest happiness in life

......